2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



thumbthumbthumbthumbthumbthumbthumbthumbthumb
Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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I 55`D@  nZOpΖb4i 8<0Ȕ ?a1`>N2,eHFX̖'F&9`8$S6#hfY/`XqLƜGp4@!"U'P,5Pc?t t1Dx_R^* zi(9>ha-Jyz a:?`8+y撕9[1F{1w/(hyZ@kdCH`2bԔ9#mLpE(3SR(F0xh'Υ@dZP`%6gYqߓ€khZoc_#Ќ(,y۶#ZsKd:v"~E b8yШUz"Ol4dN @,Q-E!jN %PjKVp^^li y܁  p} :Q=M!E͹P\Ebdu$g?w'j)xكX'4?BƁ!"ꐑB@XOS ,8(:D.0Y'p2`Y.pt&&0J@x!!6 Vd$q$g!dHAA E sð@U䦏^r(QN6LNv.`p̲3@_+ F%9ȱh.T|Vωx/؂wU- Do#1==`DgKttrN"ǀd'ѮE".Y,:nba |"~Po'a!2?n*5'(b+[pK;@ WvH ;? gSp:>udx@ J|' r;hώM}eaI=*~ر@$CE73u&/qJeGf՛8.d5+4Oh6Hp~F6z`-r`G:HfMϾ-tU.KL<&Ҷt9]1(>@P?y/w_l F}麂a|f9Bn?x+k6䒳<\<܁[LJj4tM%^LT3{':".eYj^Dg*c>B9p VxBilfKN +맇HQUɠxg]m7z?FZy6Y/nMVPHăur= cgKք,cr}lG+[;ىesV1(J+Z ;27omPS(&J*RR_o51n{uBb|^H;%Wzo"LwļԮ/Dw-ȥ > nj~꯷ h[cd -ʨ#gΥ5β5 B dԫ `Tt!Q2 zN?7ƴfbѤW 8zbBddZ]mePʚϠtZÜ5 V1-Opavp|b~b'CLlZ;X7Sh.mI1DH/ Yҏퟌ'ShfdrִpV8׉-#lCAXz0d7L$2-GWØ^IYt֝wNrOr/d"s1cdiV;2h-jrǔ~Pu6Sn8T9\!=isWm;Կ}@@[nA;->_RK{}pGi)V]5JU ӈV+U eMv(NWOi.1sBsOZϝl!緷Iu5I#tU#w;\i+ uD=S'աHq)1( I=BKzZɕ/GHbh8.Uo;]&X9*{{Uu_1N9OyjyA>ë,b U?,Hʓ[JE`O&8${0nC7w((3RX38]MZ&.Jmr$(rE~"0M YQ"ozk~s5lOq-? WS1?sg-44+6kzHauѾ|Ċ JԩB4q=Ʊu</aNelH3aVF m\mO_Hُ35B%װiK,%"ҋl+ˣUUz퍱$Kunks5i 8Sϝ +`Y@U[=NպGl.Џ- ~'Paj[7\[~z?+\ahʴf} 1 V>ѕg!@;| VSӣ"$َ26R$4掸2.Ѝu5OFC;=[ d/!K0?ǣ#? }^EZU=P[UӨyD쁀!/iWEkSn0Bͣؼ{F<xvqsj n#c% _C뛁8'|#!J/JvIh(GFZ2KwV3 Ml,Ƨ5./m@vb(G)]ώKwtIuilLr˷i `e$ PɭpzxYNd4x?SjNMt}ӈu)%gSGDZ0Ч,4s:an+$јo1CrC0䯃dͨw։}^6XQPbEo^2XiDw}y7H*YR(ni;J0Qq>$MVx()̵` -:F  =ȸpAZ%E% -D$!C(x*ThMCuΏOd8##jߨ7nW!T*sQ.H 3I~XAp/(>o KA΃*%c&E:6 Xcڪ0{rNLzt0Ik eZHiK ]lp,8#aQ'MK;2" @Q wE@CpbuȾJg闽M(Kҿ|z϶NOBoa~ϫ]b؄4CxwU?K +~+{åvmw判M5g%~+ _i^ކL | |'HsUUXe +a5Ǿ; O.lrnpHˋKekeJ4(`:9<WiPqNW HUXfomLB,{Ieͧ$\6*%HJpݦGe.R{N;# Q*X& Gj$°[ ql#ڕcY^ VTGYPlWv[/G$6#\-eJPOz*SJQX'LJ,k=6ߒɒa*_DjxjMPq9"W00 EZYvyo|nj x0Qj U6ѻBshɤk~Hl*mm|\JNR^ne(}xX!w + imw/1=󰎮:I+Mov2@kt;(j6GWky uw 6Q2rfTTzAya\^aJD%WZ`r1F$.,N\Ⱥ0x[b#%о1 L 3?9 2Z#~O,6{S <-Y9#Q`\h>D%,ibٸpAFU=7q"䱟'_-x'Pnq'*"lFo?g p+# ?D\J(fqp>D'brF"98l&^4o尗5!a `]@v3 l7;nL6 # lvJKI0Re~- /ӢW>`:bo3/Bd3A40oHRgm$j\oPs! lU3;w= u@dc-NEYL_H |G<%9_ e!KO֠9/'/DKt =B1∲x DSX|GtYG T""aN1= p4pՈOU+ xzX8X!'1qC]X1H-94M5 _Xh!-!7#-j '@$=xЪ8 iI b$4 <,n-$`f 4B8 )/$+<$gn\d9uj(f F'4_dD/XN쒓-9`Cĵ9zĹO9&NvM$4I]uZ`Q!NNN vF$V uϥC I_ȹϒ3 g:9;%.(#H AO'LXXfU.bG\$qCU`oe"eFǑx<DžO#gm ^09LX:R$&W' 8'^-pa#v~7*1J#r(ܖ`;@~ IgP$+y&_r> r_(\ #aNlRpqɋuXԏv&pX~p >#=DEB01%9/ N oWBf$& ( ^4d.LO^]xm"F"irA\#ܹ~#( KlD @nDK1}nEf Q!*@%+(HOF ہ't0Ny'w\S=D[0` 4);^lwDṱ p PW A™_$$kQ=@ /`(ĜFX ( $B(| b? -dbnh$f &!o' 2(!Frg`JD|AuE;'$bgg ` -'4d|<F:oZT9 a8CA/:Y#%cB?`uQ0RN.{E ~'OP_\9^Ǜ0 ;7T@TF`O?r0\XI+ SWMԏ`eԊ@09â:ӱoC!{:uz(kI# "b";ZHEKr0Aѳ9`:j$xKNnB"~QCp><2u0?Mv'0|Ƨ  R^pD\ț@vO q3lc .iS,Xsh"<`9x@#`yaDI{>c_GApH y[E p6Y&aO%@΢ ($!+(\m0 tbT2#"D1^'8Դļ1Y =C7".& ^Gd! <jȆ 4h.3I Nx%k 0~QW QA'h6C)"#iGb+V)Vgq :Q ގ#s̈́؋@O;P08b;@2,k3Oi܌4D][X\]KAL;@ A2q]LJ I $"b#33-8aǁ@Y(:46 g9>n>61;ryw=ꖲ cZIAp5x#tBFr5T! kuN#o܉`.u CD:`5x8F1d7 Y7veAISs)7` RkBC'xmBȠGk?Y NBE1lfPesYOWRT$.s< gt8B- /a&h~HrE 1c[ךWT$0ޟ]sQBXx#;G H-%G"16M0(Ӫ/D(@\:ך6kA2>` q@.AF@Z;'b#XnEDф'~(x `P"DLWٮH-\́sl `#\djΣEs^&q p>kq ٺ ޽-B@f~fC{C"x\ug pB0#EF;8rMNqu?FE G<fPIUإp9'eg'_ȓtPP p\M#I]"bMV`OYpJaug+ɗ,Vu"Lo_st(G Q ƀ qʅLe7 I`8d5 HUl3EQYͱ4&!S o" N8c2BHq޲:(X`T`jȘ;ɔ/c% .'P*4C5?*FL5DXF4]V:cpы0 ؠ7\k0(|N]8{]] +@H `bjqk0s`/Kհ9?5GDfE! ^MtP&hx_8͆`a$k^ (U{P{"# 8ysq!GɢRf G<"K4w] @`!9s,peMi K(3VL @N1vHr/ PgQ5a!@8po^nF`ge!D<Ո/OR 1D 9 r%`-qDr0:0c$V@5 PP@hh bp x7 " fϱ+fSC8oLP; @`48 `B,NPb@dIc_f" ^p߱X6Ͱp-wwY$ J`xX!o1qsT,!߃$fa@@-"3=ۮ૯ c1 u֔g@/jA{޻fwr@>'WIzɌHÇ]q}*!kX FD|Ɉ0| P lDz4(`qb2+\Eb!-8 `#'D8@xrf"9:sX"b4EƁsb6C_ 8@`3NGuuz1`N l {sV(FH07=c( YdzEq]:&)Hր;D /jd&Y(=-Gnȹq Hf`\8) B=  ,K -Kpo,`1Gx@ztP0r =S RvD..C}81`U k{:|yhs؜4irG`!EoNG0 MO =o' 4 #(E`p6wN,b>p JbּOD^s @nFi8"SB]PܗU/[ p_8iêZo$ @1H$$\<V:M8*dF'Rf / GM||)T8:8.<o&zr8 NÂ@׫gdmZNp끐lb-6eD@: e"+G`,Sd  p](PF11Kpq>TAC d>l0]BO>:LG@抔#, nG 'tj<24 asgBk}YFKѱz398& A+Pco=|}WBD&M 31#>H z8 ᭳?E FE `,"%OXT8nGXUXfŘE c?U]9Pls@AUY_Oo8>Mb ~D*H@n\zM< zzݚEz)$y,GV"xϸ"H;(4` Zp::60=sQ{1,[{D*:q`v?fg> zFBrϮ2 ѕ4P #x(F$Ӏ 1s+G$s fw cEEL¸ 8A݉1ÜJvsCh鵸 G@Ԟ_EF<\j|0+(,K8ȍ^gt8D1ǀ|D?lJ]QB$!'W/ƲftS0LР9Fc}EIp6uD"DGU]sabH΅:qHC N•"@H0;YVѼ̓ZY;y-Ȇ;Geګ[T́\ 竴(d&?4ݣ[;k.ϱ5DhK``U{.|8J`;*ϼ{Ӡx ,@=%0|KtrIF.G{|xwukd9{$D#v@֦DP;ژ':ߙ1iDTPH՞')؅a Tfe*:?Pbl$Hm T*HED !YsPᛜDhӝhfZMJAc˭ 0A[A_j.bh*=o`Y;;l|=rJՙHmtA?&=;]ד:4@ T^ih{ct/^jV)MmH<|~{\hl]3ݏ1qZoz[l IGVfV^DAC刓AW pM]jݏä`4+<6Zwo}TDVMt*:xxc]udO~6K͇։FEN CU Au_[j?-;4k)3A# ۥ dzkjiHqk?UDϿnMyzgP![@R1֗.bzyc30 #@T165T`OriQ`D@,! `2 h H`O>{ȊG,pP &! RHۑE׸"zAHF-$v  1<՜]9߰o3VDZ*&bNoX <|c \$#&DD7 d8[0_Cfo$/N,6w;ފ@(aP.òQ3(;$4-e攠n|"<w5(5yǑ#9͌13 ߀ -?b:1%ȤExۑ@IK e`( Qj& wEGv2ݎ4 ƀgE0!3"vFffi^hM-WP͝@2Y-rp24CIN|z"iŨ|*$"x]ph;$ /5PEh)pq1A>4@D*7S xW\sH8m'€^>,}N@x˼6@iH5\Tج?#dJM\`3>" ~J o#CD!ciz$(F>Qw;`i9\Y܊;Wtj[@/ n?f Epw '[HgDM+8P4` g :օHb Q5 #-aDk2Zs$ z8Qp1^@. js p!c/X`r _x~+htϪ>hG`Lh T`u`9j _bs7 H`"AxXzO=#+ېꢄ*f)b{(pxx +yx~%; N J( Z@ "6fɞ0aXD7E H) g^##o"I< _EȆe-Vc DH5a!0È#7Y8K*.NFC:@dq*D3g*:b A<2E5ZU7t|; /vœb@2XGǹ;<E T9 'JL+48;&t'0oL9r@/YшL.%( G>Xˏa( NA$vӀ(LKYGh]АP> #Blct_w&9DN`I7ޫeO$=cШAqr $ad ?Cp!awc  4D >Ҙ GpO'  P>f:b[ TKG d(E ZUғ$6O@;L0G^Sr+e& HIF@X_@F/3Gt>eh\ـkP ˽DbI0܂J$ - 3P*jvcC(a6ZdHX iu-G it `$Z!$L;pn!U!@.rO4D|S cwBRL"NJ'r,h]4Br(hEAaQ`:36A0l|ת(?3W3 %gG t1BW؀B(o&iE(5E qjD؜ UAi`#呇p1PN"!V|Y(d$$(01<]  @2uc9:.*B·OFs B <+kj/iE LqtAijEt(tF1BPBE ̊PE@YL4ޣ؀uB< !р"`gСbAF "5%Ñ#g V L@vf#"%T4,RE8} v `s/r( 1tx,i ͘=@ )D 9X6K: pf#ٿ B$yʓCH1E܌Ӧ"li 7yȉ#а;&F*T^Cw%5a6κLi,(E&t*6LyQA3] ȐoiMhh6g]P=lGIwH8U2G*r"FP"9OaoDĂ y'YA!&'rH')sܗD6,| 2n ?@"PexQ4'ޣ5 41w7= CFEE,yy@oJf(`lxx?Izub5'Ա ee1ϩq G 1 wr AIͨp ӌJv'cg_X@Nٯp"%Hē8@ 6%8(OFk1%$X p%`:Fi+4LhC a8 C`._X1l XOwNNOj:c/R@]\\U﮵JOr6q.Pc3ɼ!]'cA d04@x1s'BH#>ڀy4x.偾$Oj'ei"X1ZuӌE S80Dph})"s ӬYF6Ƴ~+ 3cؠ b+ɳ# 2Sv|Nvq:]wCd ð @/+r= x딢i- @zCҐP,jKH,pr>aKz!2T(+ 5?qQBOm$ <; Bݐ:b87/~1"ȱ blxP @M`h*FEq874cX Du Hmgz9Q"*Xy[( O[Q`6asPRiFa$4Q 0IjA:z(M3eS% ym Q?g8(&}EQ@fP:j2م P#P takt kunstprojektraum Berlin - artist residency Germany
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



thumbthumbthumbthumbthumbthumbthumbthumbthumb
Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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S^@ zq`"4YjS]& BIs,gЍN Q}ZmyGrPa#Nq?ݴro'OZСa- ה`^[I 톶j K@XJ% 772.GR_`-dr ) pxDKQ@\2Ele_ݝN0Oc07$*'ZYchRÉ|1WvA%g`8Ch ?j&+5{Ɍ_ > . 3x Fn~tBHDä?m}0)dx`0,DVnVw Y7IYoA8ɓ(,ťUf:Ho'U1tK30 06T8&-1 ǵv_rXr1|<4mO]wZV FKO2FxɌ8(Z~mts#LTPp4܁ yz:[ }vB~{ kr~r9&3(IG5c?|b;U{è)b^y"<>7p[@[H8Lݲ|tt=X@D͜,T%&̀A %+waSC'8:Sfu [ x-{CbdWE4PV:zHC$|csn-Kg% S.F7 }%-sֺf,q:ӫ&Q=c_]5QO[UxQV9ûVO ]ta5r`Ξx[XOb8/_?cHqw'3^ 5Djx9?p ~.kX6e?!z:\2j],Eҡ R5EB`}(<^j>(7΁BKdёoYrXq.:S͠.w[_+8:XAB요7;~"jF?0Wr-r o~^Β=@j )J%J_S]|iR,7V4@d &z63mcc"x]S!ƴ̦JG>[AԡAnQT u0\{a\"ヲ-w)ɓ9uۑ崎Paq:Ѣp?#IcEH D >mf^v">C8LgrW9XUj1zޑ؛?4sl#ӺrFpq+k \KU8OEݴΞeZAH"9-$pudO\S O hԡEl;W.&"rNM:L xs 8 JZ1i n)DW1^D:f<)~@a&:`9UU?ZmNp,<OF"Ib;xx`GNu˓ wO} @=\ qxn(Q`38K9Ǻ./r;rL7s ɡ9p~AiGK3dkOFa;D6l$KKf??.yQ؀4x0bns묭vW6-W0) r6 ))tw"" b ,ܹmJ\K(N(<%xU@y>CqPanP #c=pb8hr%ջ iEaA8ùfpNRva&]XY+E\- 5.Ճs'ICxul*V5La<[iGvE -&Ya;^0|yS $Gus0rҽ.ȉ/1P2@b7;}K䘆eI;_m&7\vdlБue]Ӎ"熨Ш:QVbMlȿg:nK .˵Wek/ȴ>ѼLZI"a.!aIk84>1 u0Ktehsts takt kunstprojektraum Berlin - artist residency Germany

2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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'? #GbmKDeaT0C'6a{pO: :Fz@ԑ_"hm"r8GL\0Q1j&l2%Z$J$UـlqM]A#y&UtQdr9:D0d }(aWqԀ‍A,J8.jEID* 1J`pi.2?NTHNbKs@|G1D$Gңrl ,n"-<,Yȗg!Xd&!)w%y2~ F@%JgV H=?B+ N`Pl&bJE lZH_X_MG GDSл=PVcD<,@Quj_l* >fHp6@ 'QbD'1sAd@ RR .ˌnX/d@OlX0؏¬8K5=q {t2#,PnmnxMCwiĮAP݂yQ8iy0z4 IJmLEVb|o \A_-:po=ȘW|P)0 QHc pXwH=nn4mn P*G _:j'@mAp(,,+ P ( "'*l5On@`48w$,>TJ8ork0 @ v~#P'B#@ takt kunstprojektraum Berlin - artist residency Germany
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Einat Alon
Erwartung

02.11. - 03.12.06
gallery picture

In November 2006, Einat Alon showed photography and installation.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



David Krepfle
Dumbo

06.10. - 29.10.06
gallery picture

It's a familiar scenario: artists settle into an abject and neglected part of the city, revive the area, and make it hip. Gradually people seeking the appearance of a bohemian lifestyle, facilitated by real estate speculators, appropriate the area and the cost of rent skyrockets. The artists are evicted, and the neighborhood becomes a superficial shell of its former life.

The exhibition 'DUMBO' by David Krepfle offers insight into the experience of this process. For fifteen years, David lived in the intimate neighborhood of DUMBO, which is an acronym for 'Down Under the Manhattan Bridge Overpass', located in Brooklyn at the base of the Manhattan Bridge, directly across from the southern tip of Manhattan.  He established a home and studio there when it was a isolated industrial wasteland and remained until this past summer, when he and his fellow tenants were forced to leave. The neighborhood is now shanty of 'luxury' million dollar condos, boutiques, and design chain stores.

In anticipation of the changing atmosphere and depletion of artists from his neighborhood,  David acted upon a spontaneous instinct and began to document the faces of the people he personally got to know over the years.  Within six days, it evolved into a series of two hundred and fifty portraits that tell the story of a neighborhood, one person at a time.  It was his way to say goodbye, his parting shot, that became a poignant representation of the loss of community, an increasingly ubiquitous trend in the urban landscape.

After splitting his time between Brooklyn and Friedrichshain, a neighborhood that was formerly in East Berlin, David has chosen to make it his new home.

 'My first experience in Friedrichshain was the sense of community, the instant friendships and warmth of the people, the support I received for my work by local galleries, and the enthusiasm of other artists'

It has been eighteen years since the fall of the Berlin Wall and the city is rediscovering itself; rebuilding with a powerful memory of the past and swelling hope for the future. But within this boom of rejuvenation there looms the question of gentrification and the fate of the artists who live and work in once repressed neighborhoods that are now on the cutting edge. Will Friedrichshain go the way of DUMBO?

The most salient quality of David's photographs of his former neighbors and friends is their piercing transparency that candidly reveal the essence of his subjects. Such a quality is not possible without empathy and affection. To have empathy is to see yourself in other people and to see them in you. It is a reflection that one can touch. Are these faces indeed our own?

text: Sono Oskato



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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



David Krepfle
Dumbo

06.10. - 29.10.06
gallery picture

It's a familiar scenario: artists settle into an abject and neglected part of the city, revive the area, and make it hip. Gradually people seeking the appearance of a bohemian lifestyle, facilitated by real estate speculators, appropriate the area and the cost of rent skyrockets. The artists are evicted, and the neighborhood becomes a superficial shell of its former life.

The exhibition 'DUMBO' by David Krepfle offers insight into the experience of this process. For fifteen years, David lived in the intimate neighborhood of DUMBO, which is an acronym for 'Down Under the Manhattan Bridge Overpass', located in Brooklyn at the base of the Manhattan Bridge, directly across from the southern tip of Manhattan.  He established a home and studio there when it was a isolated industrial wasteland and remained until this past summer, when he and his fellow tenants were forced to leave. The neighborhood is now shanty of 'luxury' million dollar condos, boutiques, and design chain stores.

In anticipation of the changing atmosphere and depletion of artists from his neighborhood,  David acted upon a spontaneous instinct and began to document the faces of the people he personally got to know over the years.  Within six days, it evolved into a series of two hundred and fifty portraits that tell the story of a neighborhood, one person at a time.  It was his way to say goodbye, his parting shot, that became a poignant representation of the loss of community, an increasingly ubiquitous trend in the urban landscape.

After splitting his time between Brooklyn and Friedrichshain, a neighborhood that was formerly in East Berlin, David has chosen to make it his new home.

 'My first experience in Friedrichshain was the sense of community, the instant friendships and warmth of the people, the support I received for my work by local galleries, and the enthusiasm of other artists'

It has been eighteen years since the fall of the Berlin Wall and the city is rediscovering itself; rebuilding with a powerful memory of the past and swelling hope for the future. But within this boom of rejuvenation there looms the question of gentrification and the fate of the artists who live and work in once repressed neighborhoods that are now on the cutting edge. Will Friedrichshain go the way of DUMBO?

The most salient quality of David's photographs of his former neighbors and friends is their piercing transparency that candidly reveal the essence of his subjects. Such a quality is not possible without empathy and affection. To have empathy is to see yourself in other people and to see them in you. It is a reflection that one can touch. Are these faces indeed our own?

text: Sono Oskato



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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



David Krepfle
Dumbo

06.10. - 29.10.06
gallery picture

It's a familiar scenario: artists settle into an abject and neglected part of the city, revive the area, and make it hip. Gradually people seeking the appearance of a bohemian lifestyle, facilitated by real estate speculators, appropriate the area and the cost of rent skyrockets. The artists are evicted, and the neighborhood becomes a superficial shell of its former life.

The exhibition 'DUMBO' by David Krepfle offers insight into the experience of this process. For fifteen years, David lived in the intimate neighborhood of DUMBO, which is an acronym for 'Down Under the Manhattan Bridge Overpass', located in Brooklyn at the base of the Manhattan Bridge, directly across from the southern tip of Manhattan.  He established a home and studio there when it was a isolated industrial wasteland and remained until this past summer, when he and his fellow tenants were forced to leave. The neighborhood is now shanty of 'luxury' million dollar condos, boutiques, and design chain stores.

In anticipation of the changing atmosphere and depletion of artists from his neighborhood,  David acted upon a spontaneous instinct and began to document the faces of the people he personally got to know over the years.  Within six days, it evolved into a series of two hundred and fifty portraits that tell the story of a neighborhood, one person at a time.  It was his way to say goodbye, his parting shot, that became a poignant representation of the loss of community, an increasingly ubiquitous trend in the urban landscape.

After splitting his time between Brooklyn and Friedrichshain, a neighborhood that was formerly in East Berlin, David has chosen to make it his new home.

 'My first experience in Friedrichshain was the sense of community, the instant friendships and warmth of the people, the support I received for my work by local galleries, and the enthusiasm of other artists'

It has been eighteen years since the fall of the Berlin Wall and the city is rediscovering itself; rebuilding with a powerful memory of the past and swelling hope for the future. But within this boom of rejuvenation there looms the question of gentrification and the fate of the artists who live and work in once repressed neighborhoods that are now on the cutting edge. Will Friedrichshain go the way of DUMBO?

The most salient quality of David's photographs of his former neighbors and friends is their piercing transparency that candidly reveal the essence of his subjects. Such a quality is not possible without empathy and affection. To have empathy is to see yourself in other people and to see them in you. It is a reflection that one can touch. Are these faces indeed our own?

text: Sono Oskato



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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



David Krepfle
Dumbo

06.10. - 29.10.06
gallery picture

It's a familiar scenario: artists settle into an abject and neglected part of the city, revive the area, and make it hip. Gradually people seeking the appearance of a bohemian lifestyle, facilitated by real estate speculators, appropriate the area and the cost of rent skyrockets. The artists are evicted, and the neighborhood becomes a superficial shell of its former life.

The exhibition 'DUMBO' by David Krepfle offers insight into the experience of this process. For fifteen years, David lived in the intimate neighborhood of DUMBO, which is an acronym for 'Down Under the Manhattan Bridge Overpass', located in Brooklyn at the base of the Manhattan Bridge, directly across from the southern tip of Manhattan.  He established a home and studio there when it was a isolated industrial wasteland and remained until this past summer, when he and his fellow tenants were forced to leave. The neighborhood is now shanty of 'luxury' million dollar condos, boutiques, and design chain stores.

In anticipation of the changing atmosphere and depletion of artists from his neighborhood,  David acted upon a spontaneous instinct and began to document the faces of the people he personally got to know over the years.  Within six days, it evolved into a series of two hundred and fifty portraits that tell the story of a neighborhood, one person at a time.  It was his way to say goodbye, his parting shot, that became a poignant representation of the loss of community, an increasingly ubiquitous trend in the urban landscape.

After splitting his time between Brooklyn and Friedrichshain, a neighborhood that was formerly in East Berlin, David has chosen to make it his new home.

 'My first experience in Friedrichshain was the sense of community, the instant friendships and warmth of the people, the support I received for my work by local galleries, and the enthusiasm of other artists'

It has been eighteen years since the fall of the Berlin Wall and the city is rediscovering itself; rebuilding with a powerful memory of the past and swelling hope for the future. But within this boom of rejuvenation there looms the question of gentrification and the fate of the artists who live and work in once repressed neighborhoods that are now on the cutting edge. Will Friedrichshain go the way of DUMBO?

The most salient quality of David's photographs of his former neighbors and friends is their piercing transparency that candidly reveal the essence of his subjects. Such a quality is not possible without empathy and affection. To have empathy is to see yourself in other people and to see them in you. It is a reflection that one can touch. Are these faces indeed our own?

text: Sono Oskato



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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



David Krepfle
Dumbo

06.10. - 29.10.06
gallery picture

It's a familiar scenario: artists settle into an abject and neglected part of the city, revive the area, and make it hip. Gradually people seeking the appearance of a bohemian lifestyle, facilitated by real estate speculators, appropriate the area and the cost of rent skyrockets. The artists are evicted, and the neighborhood becomes a superficial shell of its former life.

The exhibition 'DUMBO' by David Krepfle offers insight into the experience of this process. For fifteen years, David lived in the intimate neighborhood of DUMBO, which is an acronym for 'Down Under the Manhattan Bridge Overpass', located in Brooklyn at the base of the Manhattan Bridge, directly across from the southern tip of Manhattan.  He established a home and studio there when it was a isolated industrial wasteland and remained until this past summer, when he and his fellow tenants were forced to leave. The neighborhood is now shanty of 'luxury' million dollar condos, boutiques, and design chain stores.

In anticipation of the changing atmosphere and depletion of artists from his neighborhood,  David acted upon a spontaneous instinct and began to document the faces of the people he personally got to know over the years.  Within six days, it evolved into a series of two hundred and fifty portraits that tell the story of a neighborhood, one person at a time.  It was his way to say goodbye, his parting shot, that became a poignant representation of the loss of community, an increasingly ubiquitous trend in the urban landscape.

After splitting his time between Brooklyn and Friedrichshain, a neighborhood that was formerly in East Berlin, David has chosen to make it his new home.

 'My first experience in Friedrichshain was the sense of community, the instant friendships and warmth of the people, the support I received for my work by local galleries, and the enthusiasm of other artists'

It has been eighteen years since the fall of the Berlin Wall and the city is rediscovering itself; rebuilding with a powerful memory of the past and swelling hope for the future. But within this boom of rejuvenation there looms the question of gentrification and the fate of the artists who live and work in once repressed neighborhoods that are now on the cutting edge. Will Friedrichshain go the way of DUMBO?

The most salient quality of David's photographs of his former neighbors and friends is their piercing transparency that candidly reveal the essence of his subjects. Such a quality is not possible without empathy and affection. To have empathy is to see yourself in other people and to see them in you. It is a reflection that one can touch. Are these faces indeed our own?

text: Sono Oskato



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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



David Krepfle
Dumbo

06.10. - 29.10.06
gallery picture

It's a familiar scenario: artists settle into an abject and neglected part of the city, revive the area, and make it hip. Gradually people seeking the appearance of a bohemian lifestyle, facilitated by real estate speculators, appropriate the area and the cost of rent skyrockets. The artists are evicted, and the neighborhood becomes a superficial shell of its former life.

The exhibition 'DUMBO' by David Krepfle offers insight into the experience of this process. For fifteen years, David lived in the intimate neighborhood of DUMBO, which is an acronym for 'Down Under the Manhattan Bridge Overpass', located in Brooklyn at the base of the Manhattan Bridge, directly across from the southern tip of Manhattan.  He established a home and studio there when it was a isolated industrial wasteland and remained until this past summer, when he and his fellow tenants were forced to leave. The neighborhood is now shanty of 'luxury' million dollar condos, boutiques, and design chain stores.

In anticipation of the changing atmosphere and depletion of artists from his neighborhood,  David acted upon a spontaneous instinct and began to document the faces of the people he personally got to know over the years.  Within six days, it evolved into a series of two hundred and fifty portraits that tell the story of a neighborhood, one person at a time.  It was his way to say goodbye, his parting shot, that became a poignant representation of the loss of community, an increasingly ubiquitous trend in the urban landscape.

After splitting his time between Brooklyn and Friedrichshain, a neighborhood that was formerly in East Berlin, David has chosen to make it his new home.

 'My first experience in Friedrichshain was the sense of community, the instant friendships and warmth of the people, the support I received for my work by local galleries, and the enthusiasm of other artists'

It has been eighteen years since the fall of the Berlin Wall and the city is rediscovering itself; rebuilding with a powerful memory of the past and swelling hope for the future. But within this boom of rejuvenation there looms the question of gentrification and the fate of the artists who live and work in once repressed neighborhoods that are now on the cutting edge. Will Friedrichshain go the way of DUMBO?

The most salient quality of David's photographs of his former neighbors and friends is their piercing transparency that candidly reveal the essence of his subjects. Such a quality is not possible without empathy and affection. To have empathy is to see yourself in other people and to see them in you. It is a reflection that one can touch. Are these faces indeed our own?

text: Sono Oskato



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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



Christian Schmidt-Chemnitzer
I sleep very well

02.09. - 01.10.06
gallery picture

This time he's not standing - rather lying, partially buried in a stone pile at the takt Gallery in Friedrichshain.  Christian Schmidt-Chemnitzer, born 1968, is best known to Berliners as one who stands for hours without moving. In May 2005 he stood for six hours on a ladder at the busy corner of Schoenhauser Allee and Danziger Strasse.  For years, he has frequently balanced on an ice block, barefoot and dressed in a diaper, with a small ice block held in each hand.  Schmidt-Chemnitzer has toured the world with this ice block performance, ever since it's debut in Berlin in 1996 when he stood completely nude for over 100 minutes.

Christian Schmidt-Chemnitzer irritates the viewer through the apparent stagnancy of his performances, through his motionless presence.  This time he gives his lack of motion a name: I sleep very well.  Yet the artist has not made it comfortable for himself.  One can barely imagine that he can actually sleep well in a stone pile.  Is he really sleeping?  We are left to ponder the many associations brought to mind by seeing a person buried in a pile of stones.

Text: Henriette Boehmert-Leske


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M`3+ ",u-4`e^d~"yFdwrpXȇ1:S@}D$w,N(Fc#7r;@:(6l\PBh+ J <#uDbŖ4aqx$X(cYDH`z7CA*cF txo-BIctbfMpA(J~Rp' takt kunstprojektraum Berlin - artist residency Germany
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



Christian Schmidt-Chemnitzer
I sleep very well

02.09. - 01.10.06
gallery picture

This time he's not standing - rather lying, partially buried in a stone pile at the takt Gallery in Friedrichshain.  Christian Schmidt-Chemnitzer, born 1968, is best known to Berliners as one who stands for hours without moving. In May 2005 he stood for six hours on a ladder at the busy corner of Schoenhauser Allee and Danziger Strasse.  For years, he has frequently balanced on an ice block, barefoot and dressed in a diaper, with a small ice block held in each hand.  Schmidt-Chemnitzer has toured the world with this ice block performance, ever since it's debut in Berlin in 1996 when he stood completely nude for over 100 minutes.

Christian Schmidt-Chemnitzer irritates the viewer through the apparent stagnancy of his performances, through his motionless presence.  This time he gives his lack of motion a name: I sleep very well.  Yet the artist has not made it comfortable for himself.  One can barely imagine that he can actually sleep well in a stone pile.  Is he really sleeping?  We are left to ponder the many associations brought to mind by seeing a person buried in a pile of stones.

Text: Henriette Boehmert-Leske


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



Christian Schmidt-Chemnitzer
I sleep very well

02.09. - 01.10.06
gallery picture

This time he's not standing - rather lying, partially buried in a stone pile at the takt Gallery in Friedrichshain.  Christian Schmidt-Chemnitzer, born 1968, is best known to Berliners as one who stands for hours without moving. In May 2005 he stood for six hours on a ladder at the busy corner of Schoenhauser Allee and Danziger Strasse.  For years, he has frequently balanced on an ice block, barefoot and dressed in a diaper, with a small ice block held in each hand.  Schmidt-Chemnitzer has toured the world with this ice block performance, ever since it's debut in Berlin in 1996 when he stood completely nude for over 100 minutes.

Christian Schmidt-Chemnitzer irritates the viewer through the apparent stagnancy of his performances, through his motionless presence.  This time he gives his lack of motion a name: I sleep very well.  Yet the artist has not made it comfortable for himself.  One can barely imagine that he can actually sleep well in a stone pile.  Is he really sleeping?  We are left to ponder the many associations brought to mind by seeing a person buried in a pile of stones.

Text: Henriette Boehmert-Leske


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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QAIgN?ʀ x>C}&gŀ QdhI Qt'Y!J@~ gp`R9V 3)A" n #RN3Ĝ>ѤQ[8gr?k@8 J5 mP1Bif#@@ɱȲ[fA0:H @`C8h;#GJH8]ܒV') #bGP<-z><xl<8‡I8#de,19I%($ʈkfU0Wv OuC[ u@֌-2Ɇfh7 ؎,=hS@͂HxND[1h]1*BI<8U takt kunstprojektraum Berlin - artist residency Germany
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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I:yp bC̡T~Odv1t`PD#k'KZh^_XY(zQ PcTP5Lu;u8 ØoX 8 ^*cw\b  hP pDmrNq POw̅z(3 2څPb>adϘ_.(?H9Ȋ̀<"<ǁ-rx`(_< gE e/44np`hDh{_E Ҁ< P}YmI`n26e};#1`sիyp#/{HD($Vh~}P#+SC9jb,wP =/g rTe~Ox(~2i|9d(dk*[@c@ہ>E4:/?@P:`3j(n"avEцd"АŒOGWBQ2h 4,Fz!q_Cb22 `$DT:ox"udNK% ;P--v{Q׾OEyOV'BFU'@v\ $: ܦe*ǀ?Οk sǹ']IQ0(E Nohԩ4W ;י7 D訓,&.Ԯ=ハjAFcu|AP9d@Z7n&y0:{s`PBcWS]NH"iB_02uc''kF~ 4ugjh4joGܜ^pbɄN8}J+D]t*m/SpdݫKG'5;-zK*vh<\%EHY.Y-[J{K'"5R~ݟOc6R-hdI Y}AJc]7=+U4l{xls5f%۱wc]ce Àe9фJ 3M hAVPVu5OB<}Z#=Yr͗>|!{c^IR$>P? ]јـMcHEokU'7z*%<նM*_E+ٜ$*lۧuû1J~7iv1/&oE$[wuҒTn#AOԥLSԸJˆ3 RF|G;5닓H[:݁"(~!_RR?B.Ʌ_\A܄BP[ )K q=Y7s1;xO~,KX%|]VeN^*2-l9\.Še9޳)>MBzff{6%̾rox&g:ZK/L{Vb[_aܼɡ%պk]?O=HPh:F#aDלS,bą5\ _Z_j RYo"JQ^+iT7&sX ;˾r)罅`y|ָ1ort#*l׷/gӏV4ӞГdEF _C)"F~ɣ:?u;[!:*"H3yi6D6lcEGi12AmkTD6rbw2?فc Ьc^d9-,僈ucoO#ό;nc2!PxuDZĐ9fL/CB]1&h w)/DcbsӇh\HX`s*[KQ^tzB Ri\vL-U6,EcNO2dC+d(0'H:]O;;plR5qא)E@~}O+Pg` @gx<{H C>kGW h$ 'pOk)z-ÈA|XBnO7/4ܷUhA\",)cӷ0Xqb([STϥ!2-l١:S(`aÆD%W :1 [ PB 1/NB~Fpsk4Wր ŀ ɀ % pր B̀lD > + p p.^ C takt kunstprojektraum Berlin - artist residency Germany
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner

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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004

N55
ROOMS

04.08. - 26.08.06
Anje Grner - Malerei

In  August 2006, the exhibition room of the takt Gallery was made available to the public Fridays and Saturdays from 4:00 - 8:00 PM.  This effort functions in cojunction with the ROOMS projekt of the Copenhagen-based group N55http://www.n55.dk/MANUALS/ROOMS/ROOMS.html

The room could be used for meeting, discussing, sitting, reading, thinking and contemplating.  A message board will also be available with 'Have' and 'Want' sections.

On Friday, the 18th of August,  Anje Grner presented a performance/installation at takt kunstprojektraum in conjunction with the Rooms exhibibiton.  The German artist lived and worked in Bombay during 2004/05, and her work integrates the influences of these cultures.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Amish Friendship Cake

30.06. - 30.06.06
gallery picture

A Collaborative show:

Jordan Tate
Carlos Tobar
David Dotson
Isabela Prado
Ryan Mandell
Bredan Jansen
Ann Thompson
Anthony Ragucci

Inspired by the tradition of the Amish Friendship Cake - a chain letter of the culinary world that celebrates friendship, interconnectivity, and community by saving a cup of batter when making a cake and passing along that batter to friends for inclusion in a new cake(s).  In the end, traces of each cake, each kitchen, and each hand are retained in all subsequent cakes - hence, the show Amish Friendship Cake, is a collaborative effort of eight international artists in an exploration of the concept that all art has a relationship with the art that has come before it.  

The initial impetus launching the process was Anthony Ragucci's questioning of the validity of words. Ann Thompson responded to Ragucci's question with a text piece, 'I'll lie, but it don't make it real. I'll be real, but it might be a lie'. The writing on the wall questions the constructs of personal identi ty, how it is projected and received within the constantly shifting parameters of contemporary experience.

Carlos Tobar picked up the thread of Thompson's work by creating a free-standing cage form with an inflated plastic volume respectively contained within and surrounding the bottom and top halves of the form, suggesting in a physical form the dichotomy Thompson explored between self and exterior environment.

The inflatable form was then integrated in Isabela Prado's balloon intervention.  Prado had 1000 balloons of all colors imprinted with the word 'estrangeiro', meaning 'foreigner' in Portuguese. Prado orchestrated a crew of uniformed assistants to carry the balloons out into the community and distribute them to pedestrians, cafe patrons, and park visitors. The colorful progression along the streets of Friedrichshain was Prado's way of communicating her experience in a foreign culture, the mingled joy and frustration of experiencing something new yet not always being able to comprehend all elements.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Amish Friendship Cake

30.06. - 30.06.06
gallery picture

A Collaborative show:

Jordan Tate
Carlos Tobar
David Dotson
Isabela Prado
Ryan Mandell
Bredan Jansen
Ann Thompson
Anthony Ragucci

Inspired by the tradition of the Amish Friendship Cake - a chain letter of the culinary world that celebrates friendship, interconnectivity, and community by saving a cup of batter when making a cake and passing along that batter to friends for inclusion in a new cake(s).  In the end, traces of each cake, each kitchen, and each hand are retained in all subsequent cakes - hence, the show Amish Friendship Cake, is a collaborative effort of eight international artists in an exploration of the concept that all art has a relationship with the art that has come before it.  

The initial impetus launching the process was Anthony Ragucci's questioning of the validity of words. Ann Thompson responded to Ragucci's question with a text piece, 'I'll lie, but it don't make it real. I'll be real, but it might be a lie'. The writing on the wall questions the constructs of personal identi ty, how it is projected and received within the constantly shifting parameters of contemporary experience.

Carlos Tobar picked up the thread of Thompson's work by creating a free-standing cage form with an inflated plastic volume respectively contained within and surrounding the bottom and top halves of the form, suggesting in a physical form the dichotomy Thompson explored between self and exterior environment.

The inflatable form was then integrated in Isabela Prado's balloon intervention.  Prado had 1000 balloons of all colors imprinted with the word 'estrangeiro', meaning 'foreigner' in Portuguese. Prado orchestrated a crew of uniformed assistants to carry the balloons out into the community and distribute them to pedestrians, cafe patrons, and park visitors. The colorful progression along the streets of Friedrichshain was Prado's way of communicating her experience in a foreign culture, the mingled joy and frustration of experiencing something new yet not always being able to comprehend all elements.


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2015
2014
2013
2012
2011
2010
2009
2008
2007
2006

Erwartung
03.11.07 - 03.12.07

Dumbo
6.10.06 - 29.10.06

I sleep very well
2.9.06 - 1.10.06

Rooms

4.08.06 - 26.08.06

Amish Friendship Cake
30.06.06 - 30.07.06


2005
2004



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Amish Friendship Cake

30.06. - 30.06.06
gallery picture

A Collaborative show:

Jordan Tate
Carlos Tobar
David Dotson
Isabela Prado
Ryan Mandell
Bredan Jansen
Ann Thompson
Anthony Ragucci

Inspired by the tradition of the Amish Friendship